Ishmael Patel
29 Mar 2012
00 : 12 : 06
lionskeleton:

Lynn Basa

lionskeleton:

Lynn Basa

#art #painting
16 Mar 2012
21 : 33 : 20
darksilenceinsuburbia:

Alessandro Pagani.Cranium, 2011. Oil on canvas, 70 x 50.

darksilenceinsuburbia:

Alessandro Pagani.Cranium, 2011. Oil on canvas, 70 x 50.

#Alessandro Pagani #painting #art
14 Dec 2011
13 : 21 : 39
tooyoungforthelivingdead:

Credit: Laurent Laveder

tooyoungforthelivingdead:

Credit: Laurent Laveder

(via downlo)

#photography #moon #art #astronomy
13 Dec 2011
18 : 33 : 44

As an artist, Clark is concerned with the function of objects in material culture and makes works that engage and consider the life span of the objects as well as their heritage and legacy.

12 Dec 2011
15 : 44 : 08

(Source: dialectics8)

#marx #karl marx #marxism #socialism #Frida Kahlo #art
21 Nov 2011
18 : 50 : 11
limmynem:

Sourceless

limmynem:

Sourceless

#skulls #art #Illustration #street art
9 Nov 2011
11 : 04 : 05
darksilenceinsuburbia:

Nikki Rosato.
http://www.nikkirosato.com/

darksilenceinsuburbia:

Nikki Rosato.

http://www.nikkirosato.com/

#Nikki Rosato #sculpture #art
9 Nov 2011
00 : 47 : 23
iheartmyart:

Ferris Plock, Hello, 2011, Acrylic on Wood Panel, 20” x 30”
Exhibition Just For One Day at The Shooting Gallery, October 1–29, 2011

iheartmyart:

Ferris Plock, Hello, 2011, Acrylic on Wood Panel, 20” x 30”

Exhibition Just For One Day at The Shooting Gallery, October 1–29, 2011

#art #painting #Hello Kitty
25 Oct 2011
22 : 33 : 05
thelifetimenetwork:

Robert Carande

thelifetimenetwork:

Robert Carande

#art #collage
25 Oct 2011
16 : 56 : 33

artincanada:

Thomas Corriveau
b. Sainte-Foy, QC (1957)

“Claude et Dominique” (1986)
“Le secret” (1989)
“7 jours dans la ville” (1993)
“Face à Boris (Boris 4)” (1998)

25 Oct 2011
16 : 52 : 11
rerylikes:

Brion Gysin (1916-1986, British/Canadian). Plateau Beaubourg, 1974. Ink and collage on paper, 9.8 x 13.4 in

rerylikes:

Brion Gysin (1916-1986, British/Canadian). Plateau Beaubourg, 1974. Ink and collage on paper, 9.8 x 13.4 in

#brion-gysin #art #mixed media
25 Oct 2011
16 : 49 : 02
c86:

Brion Gysin, 1959
via Reckon

c86:

Brion Gysin, 1959

via Reckon

#brion gysin #art #automatic #drawing #glyphs #calligraphy
25 Oct 2011
16 : 48 : 47

moretothisthan:

The dreamachine (or dream machine) is a stroboscopic flicker device that produces visual stimuli. Artist Brion Gysin and William S. Burroughs’s “systems adviser” Ian Sommerville created the dreamachine after reading William Grey Walter’s book, The Living Brain.

A dreamachine is “viewed” with the eyes closed: the pulsating light stimulates the optical nerveand alters the brain’s electrical oscillations. The user experiences increasingly bright, complex patterns of color behind their closed eyelids. The patterns become shapes and symbols, swirling around, until the user feels surrounded by colors. It is claimed that using a dreamachine allows one to enter a hypnagogic state. This experience may sometimes be quite intense, but to escape from it, one needs only to open one’s eyes. (-Wikipedia)

18 Oct 2011
22 : 10 : 00
iheartmyart:

Barnaby Furnas, The Twins, 2011, water dispersed pigments, colored pencil, seral transfer and acrylic on linen, 103.8 × 83.2 cm, / 40 7/8 × 32 3/4 ins, (MA-FURNB-00146)

iheartmyart:

Barnaby Furnas, The Twins, 2011, water dispersed pigments, colored pencil, seral transfer and acrylic on linen, 103.8 × 83.2 cm, / 40 7/8 × 32 3/4 ins, (MA-FURNB-00146)

#art #painting
15 Oct 2011
12 : 42 : 34
feministblackboard:

 Lee Price‘s realist paintings of women (mostly her) eating sweets and junk food.  She draws two contrasts.  First, she makes very public something we are supposed to do only in private.  Not only do the paintings literally display the transgression, the birds eye view and frequent nudity exaggerates the sheer display of the indulgence.  And, second, she takes something that is supposedly disgusting and shameful and presents it in a medium associated with (high) art, challenging the association of indulgence with poor character and a lack of refinement.  Fascinating.
Refuge:
Cherry Cheesecake II:
The next two are not safe for work because of nudity, so they’re after the jump:
(more…)

feministblackboard:

 Lee Price‘s realist paintings of women (mostly her) eating sweets and junk food.  She draws two contrasts.  First, she makes very public something we are supposed to do only in private.  Not only do the paintings literally display the transgression, the birds eye view and frequent nudity exaggerates the sheer display of the indulgence.  And, second, she takes something that is supposedly disgusting and shameful and presents it in a medium associated with (high) art, challenging the association of indulgence with poor character and a lack of refinement.  Fascinating.

Refuge:

Cherry Cheesecake II:

The next two are not safe for work because of nudity, so they’re after the jump:

(more…)

#painting #art #women #food
this way